In his talk at the Long Now Foundation seminar series How Stories Last, Neil Gaiman explores growth, reproduction, and continual change—traits that define life itself. He asks a compelling question: Can stories be considered alive? Gaiman notes that stories of 4,000 to 5,000 years old are still with us today. These stories survive because they change and inspire; without them, they wouldn’t continue to be told.
He gives an example with Cinderella, suggesting that the story may have originated in China, as the idea of tiny feet as a mark of royalty is more of an Eastern than a Western notion. While this China origin story isn’t true, it makes for an appealing narrative. Gaiman also explains that the famous glass slippers might have been the result of a linguistic error—the French word for “fur” ( *vair*) is similar to the word for “glass” (*verre*). This change, though accidental, gave the story what Gaiman calls an “evolutionary advantage.”
Gaiman emphasizes that every story begins with an act of imagination. He believes any story in which a character falls asleep originates from the author’s dreams, as early humans couldn’t easily distinguish between dreams and reality. He even suggests that cave paintings might have been primitive attempts to tell stories.
Gaiman argues that stories help us make sense of our lives. They use metaphor and simile to make connections: similes like “as beautiful as X” and metaphors like “the moon is a ghostly galleon upon stormy seas” give us frameworks for understanding the world.
However, Gaiman also reminds us that stories are lies. “Once upon a time” is code for “I’m about to lie to you.” Yet, by the end of the story, you’ve left your reality and entered another’s. The power of a good story is that it equips you with insights you can apply in real life.
Gaiman concludes by observing that a good story should change you.

